When the miners threaten to go on strike, Gerald Barlow, the colliery master in Touch and Go, behaves in accordance with form and is disdainful and unwavering. It's not their narrative; it's his. Gerald has modernized the pit and dehumidified the employees since his father before him was too lenient with the guys, and he has nothing but contempt for their efforts to exert authority.
They make an effort each day. They lack the intellect to run contemporary business, hence they could never do it. They are not intelligent living forms. The owners might not have much, but Labour does not. They are merely mechanical cubes that can do one or two moves before being finished. They are as ignorant of life as a lawnmower.
The villain is unmistakably the Labour representative, Job Arthur Freer, who cosies up to Gerald in secret and joyfully accepts a pocketful of pricey cigars before turning on his master after receiving a pounding from him.
The third and final act will inevitably have a final confrontation. When it did, nothing noteworthy happened, and the play abruptly ended as if there had been a curfew on the theatre and the time had run out. Oliver, a friend of Gerald's, did give a rambling speech about Capital and Labour battling over the same stick, but it was essentially meaningless.
D.H. Lawrence, or David Herbert Lawrence, was an English author of novels, short tales, poems, plays, essays, travel guides, and letters. He was born in Eastwood, Nottinghamshire, England, on September 11, 1885, and passed away in Vence, France, on March 2, 1930. He became one of the most important English authors of the 20th century because of his novels Sons and Lovers (1913), The Rainbow (1915), and Women in Love (1920). Lawrence never again resided in England after the First World War. He and his wife left for Italy in 1919. Soon after, he started writing a series of books that included The Lost Girl (1920), and Aaron's Rod (1922). All three books are divided into two sections, with the tribal ritual of mate-finding taking center stage in the first and the central character venturing to Europe in the second. All three books have open-ended conclusions, but in Mr. Noon, Lawrence delivers his protagonist Lawrence's firsthand account of his time in Germany in 1912 with Frieda, carrying on the lighthearted theme he introduced in Sons and Lovers. Lawrence made the decision to leave Europe in 1921 and travel to the US, Australia, and Sri Lanka.
